Constructing identities

I spent some time at the Denver Art Museum last week, and one of the current exhibits is a landscape exhibit which, according to the DAM, will show how various artists have blurred “the distinction between ‘observed’ and ‘constructed’ imagery.”

Observed vs. constructed is an interesting binary. Has the artist who took this simple (yet stunning) photograph below merely created something we can observe? Or is there an element of construction there?

One could certainly observe and move on. But I think the fact that the photo is in muted tones and that an image was chose that features an asymmetrical breaking wave is an element of construction. It makes me feel like I’m looking at a wild, stormy ocean. It’s beautiful, but fearsome. It should be admired, but also respected.

I would even argue that the color of the wall that the DAM chose to hung it on adds to/emphasizes that construction. Would the photo have felt different if it was hung on the beige wall instead of the gray one? What if it was hung on a red wall? Does that change the context?

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